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Tuesday, 10 March 2015

Naat Album Of Syed Fasih Ud Din Soherwardi

Naat Title
Audio
Video
Ayi Phir Yaad Madiny Ki
Firdos Ke Nazaro Sarkar Aa Rahy Hain
Hai Chaman Hi Chaman Madiny Main
Hum Faqeeron Ko Madiny Ki Gali
Kalam e Bahu
Kiss Ki Aamad Hai
Manqabat Khawaja Moin Ud Din
Mery Rabb Kahan Pe Nahi Hai Tu
Ut’tha Do Parda Dikha Do Chehra
Ya Mustafa Khair Ul Wara

Naat Title
Audio
Video
Baghdad Shehr Di Ki Ay Nishani
Bekhud Kiye Dety Hain Andaaz e Hijabana
Darbar Alag Tera
Dil Main Ism e Shah e Konain
Dil Sarapa Bahar Ho Jata
Jissay Hai Talab Sakoon Ki
Jitna Diya Sarkar Nay Mujh Ko
Kaisa Karam Zul Jalal Hai Tera
Main To Panjtan Ka Ghulam Hoon
Payam e Khaliq Bnam e Khalqat
Sub Sy Ola o Aala Hamara Nabi
Ya Nabi Salam Alaika

Naat Title
Audio
Video
Aj Sik Mitran Di Wadheri Ae
Alif Allah Chambay Di Booti
Awal Hamd Sana Ilahi
Firdos Ke Nazaro
Her Taraf Teergi Thi
Her Waqt Tasawwar Main Madiny Ki Gali Ho
Khizan Ke Maary Howay Janib e Bahar Chale
Main To Panjtan Ka Ghulam Hoon
Mery Lab Per Huzoor
Mujhy Bhi Madiny Bula Mery Maula
Zameen O Zaman Tumhary Liye

Aakhin Sohny Nou Haway Ni
Ae Ishq e Nabi Mery Dil Main Bhi
Awal Hamd Sana Ilahi
Be Dil Ho Ke Dil De Wichon
Door Un Se Rahain Yeh Gawara Nahi
Main To Panjtan Ka Ghulam Hoon
Mery Hussain Ka Hai
Sair e Gulshan Kon Daikhay
Tu Ghanni Az Har Do Alam
Un Ki Mehek Ne Dil Ke
Ya Nabi Salam Alaika
Naat Title
Audio
Video
Ali Ganj e Imamat Hain
Dasht Sy Utthhi Jo Khushboo
Dheemi Dheemi Sada Suni Hai Abhi
Dil Mera Tery Dard Ka Ban Jaye Nagina
Jab Husn Tha Unka Jalwa Numa
Karam Ki Bheek Ataa Ho
Mera Aaqa Mera Maula Mera Iman Hussain
Sarwar Kahoon K Malik o Maula Kahoon Tujhy
Soo e Shahab Ud Din
Sub Ka Paasban Tu Hai
Taajdar e Haram Ho Nigah e Karam
Tumhara Sayyad e Alam Maqaam Kya Kehna
Naat Title
Audio
Chokhat Teri Aali Hai
Dilon Pe Kandah Rasool
Fatimah Bint-E-Rasool-E-Kainaat
Hateem-E-Kaaba Mein
Hikayat Dard-E-Furqat Ki Suna Kar
Ishq-E-Murtaza Ke Liye
Na Kuch Aur Iss Kay Siwa Chahta Hoon
Teri Ishq De Daulat Miljaway
Teri Nigah-E-Naz Ne Must
Zarray Zarray Mein Tu Wahdahu
Yeh Dil Hub-E-Aal-E-Nabi

History About Naat

 A Na`at (Arabic: نعت‎)  is a poetry – sung with daff musical instruments – that specifically praises the Islamic prophet Muhammad. The practice is popular in South Asia (Pakistan and India), commonly in Urdu or Punjabi language. People who recite Naat are known as Naat Khawan or Sana-Khuaan in Bengali,  Urdu,  English,  Turkish,  Persian,  Arabic,     Punjabi and Sindhi Language.

History

It is difficult to trace the history of Na’at Khawani since no authenticated record of when it was initiated can be found. On a more regularized basis, Prophet Hazrat Muhammad’s (Peace Be Upon Him) companion Hassan bin Thabit (Sabit) R.A started this work. He was also known as Shair-e-Darbaar-e-Risalat. Even before accepting Islam he was a poet, but after embracing Islam he gave a new turn to his poetry and started writing Na’ats in honor of Prophet Hazrat Muhammad (Peace Be Upon Him). He was famous for his poetry that defended Prophet Hazrat Muhammad (Peace Be Upon Him) in response to rival poets that attacked him and his religion. Therefore Hassan R.A is known as the first Sana-Khawaan (Naat reciter) of that time. After that many a poet followed this trend and totally dedicated themselves to writing Naats.
Islamic poetry is rich in the praise of Prophet Hazrat Muhammad (Peace Be Upon Him). Rarely has there been any Muslim poet who has not written about him. This is mainly inspired from the Islamic Hadith that each act of veneration will result in ten blessings of God on the person who venerates.

Language

Commonly the term Naat-Shareef (Exalted Poetry) is reserved and used for poetry in the praise of Prophet Hazrat Muhammad (Peace Be Upon Him) written in Bengali, Urdu, English, Turkish, Persian, Arabic, Punjabi and Sindhi Language.
In the Arabic language, Naat is usually referred as Madih (praise), or simply as Nasheed (poetry) or Anasheed (plural). The latter two terms can describe any type of religious poetry.
Anasheed or Naat usually is not accompanied by musical instruments. However some scholars have allowed the use of the daf (small drum). Usually poetry that is accompanied by musical instruments is called Ghinaa (music).